The calm earlier than the storm. At 10 within the morning, the La FabricA theater may be very quiet. The primary spectators arrive, espresso in hand, nearly prepared for the theatrical epic they’re about to expertise. “My most was three hours. I had by no means seen such an extended program”says Agathe, stretching one final time earlier than going to search out her seat. Till July 16, the Le Ok firm of the younger director Simon Falguières is put in on the Pageant d’Avignon to current its new creation: You ash nest, a thirteen-hour theatrical epic. A format with which they dare for the primary time. “I’m satisfied that the characteristic is fashionable. It opens on a cleaning soap opera construction, on recurring characters that we adhere to”the director defined to our classmates LaunchSome days in the past.
Simon Falguières is 34 years previous and has dreamed of this present for a number of years. “My mom is a French trainer at a Breton college. Sooner or later she advised me: I uncover some kids who not know tales. These kids appear emotionally misplaced. This remark marked me deeply.”, he says. Whereas he completed his coaching within the free class of the Cours Florent, a trainer provided him to guide the final coaching course. That is the place the primary traces of this present come from, which he performs along with his firm for 2 summers in a row in a Charente backyard and in the present day on the In d’Avignon pageant.
11 o’clock. The general public enters and fills half the nice corridor. A younger girl, sporting an extended gown of the identical velvet because the theater curtain, walks blindfolded. Accompanied by her father, Sarah would be the storyteller. Throughout these 13 hours, it’s she who will set the tempo, announce the intermissions, inform the viewers to see who had the braveness to remain and who couldn’t stand it. “Tonight we are going to discuss a fruit. An apple reduce in two, in two worlds. Two worlds like two halves floating within the ocean of the jam jar”he proclaims, standing on a chair, arms outstretched. She narrates the beginning of two kids, Gabriel and Anne. In line with the prophecy, the primary will turn out to be king. The second, she is already a princess. They don’t stay in the identical nation, however however they’re destined to satisfy to avoid wasting a world getting ready to chaos.
To hold out this utopian piece, seventeen actors are busy on the boards of FabricA. They play about sixty characters in all and placed on greater than 200 costumes. On this universe we meet unusual individuals: Françoise, former President of the Republic changed into a fortune teller or Argan, a little bit loopy chief of a touring firm, keen about classical theater.
To captivate the viewers for therefore lengthy, a number of components are wanted. No drawback for Simon Falguières who is aware of the recipe by coronary heart: the characters are endearing, they transfer us and make us chuckle. They sing, they run, they shout, they dance, they play music. The surroundings by no means ceases to amaze us. In a break up second, we depart the ornate citadel of the king and queen for the marketing campaign theater. Then the basement of a dark hospital via the illuminated paths of an enchanted forest.
Noon. An hour break to eat and breathe. “You’ll be able to break your quick and go discover some sustenance”Sarah the storyteller yells, sneaking previous the curtain. “However keep! The deepest a part of our journey is but to return”. A meals truck in entrance of the theater helps the hungry. “I really feel like I am watching a sequence!”says Marie, sitting down at a small desk to eat her salad. “We take breaks between every episode, however we observe them as a result of we wish to know what’s subsequent.”. On the grass, some take a nap. “It is exhausting being a spectator. Sitting for 13 hours can also be fairly a feat!”Maxime breathes, sun shades on his nostril, prepared to go to sleep for a couple of minutes. In actuality, the present doesn’t final precisely 13 hours, however 9 hours, not counting intermissions. Each hour, the viewer can take a break of at the least fifteen minutes.
Cinderella, Romeo and Juliet, Antigone… the nest of ashes he attracts quite a few references from the literature to feed his story. Do not you recognize the 123 writings of Sophocles? This isn’t an issue. “I do not know you however my life resembles your works. You exist in me due to my very own story”, reassures Princess Anne when she meets William Shakespeare, Homer and Sophocles in Limbo. The loans on this pattern are eclectic and typically very current, like these taken from the speeches of François Hollande or the songs of Serge Gainsbourg.
Midnight. The viewers rises to their ft and applauds the actors, who look drained however glad. Excluding a number of exits after the lunch break, all of the spectators accepted the problem. Yvonne struggled to maintain her eyes open after the present had solely began for about 20 minutes. “I do not know the way, I’ll transfer on”, She advised us. “Maybe these lengthy codecs are not my age”. Nevertheless, on the time of the greeting, she was the primary to face as much as applaud. “As soon as the primary hour was over, I used to be lastly prepared for the following ones!”have enjoyable leaving this system. “I actually fell in love with the characters, my coronary heart aches to go away them already!”
“The Ash Nest”, by the corporate Le Ok, directed by Simon Falguières – July 13, 15 and 16, 2022 (1 pm) – La FabricA – 11 rue Paul Achard