Princess Diana’s Purple Velvet Robe By Victor Edelstein Sells for $604,800

In early 1997, Princess Diana determined that she was able to make some room in her closet. Reportedly in session with Prince William, she determined to public sale off 79 of the ballgowns she wore all through her time because the Princess of Wales, with the proceeds to learn the AIDS Belief and the Royal Marsden Hospital, the place she served as patron for eight years. One of many clothes on public sale that day, a strapless robe in a regal purple velvet designed by couturier Victor Edelstein, was a selected favourite of Diana’s within the early Nineties. She even sat for a sequence of formal portraits within the robe, one in every of which nonetheless hangs within the lobby of the Royal Marsden right this moment. After promoting for $24,150 in 1997, the costume went up for public sale Friday at Sotheby’s as part of their “The One” sale, highlighting iconic objects from throughout human historical past. The costume went for $604,800, approach forward of the public sale home’s $80,000 to $120,000 estimate earlier than the sale.

Based on Cynthia Houlton, Sotheby’s senior vice chairman of vogue and equipment, the robe represents the style of the late Nineteen Eighties, when it was designed, and the timeless qualities that Diana reached for in her wardrobe. “Whenever you consider these very formal robes, they do proceed to come back again,” she stated. “This robe in some respects seems to be similar to robes that might’ve been worn 100 years in the past, and there’s some model of this robe that is precisely the identical right this moment.” She cited renewed enthusiasm for velvet on the runway, together with latest Alexander McQueen collections for instance of how the look remains to be related right this moment.

Edelstein, a London-born designer who skilled underneath Dior earlier than launching his personal line in 1979, started dressing Diana early throughout her time within the royal household, together with her being pregnant with William. He grew to become identified for outfitting ladies of the British institution in seems to be that blended society mores with trendy aptitude, and in 1988, journalist Nicholas Coleridge stated he had emerged as “the grasp of the English thoroughbred look.”

Edelstein’s designs for Diana fell exterior of a few of his extra conventional work, partially as a result of the pair shaped an emotional connection. He instructed Colin McDowell that he tended to not stress Diana together with his personal tastes, regardless that hers had been very completely different. “She was so pushed round on the palace that I used to really feel that I wasn’t going to push her round too,” Edelstein stated.

Although he customized many robes for Diana, together with the long-lasting black costume she wore to bop with John Travolta on her 1984 tour of the US, the purple velvet robe is from his Autumn 1989 runway assortment. The gathering was proven in July 1989, based on the Sunday Occasions, in a room the place shoppers would “sit on spindly gold chairs underneath the opulent chandeliers of mirrored salons that are simply as one would think about.” The Harpers & Queen columnist who wrote a “Jennifer’s Diary” entry on the present didn’t point out the costume that might later belong to Diana, however she did point out a handful of “distinctive” and “cleverly designed” velvet fits and structured ball robes.

In the summertime of 1991, Diana wore the costume when she sat for her tenth official portrait, which was painted by Douglas Anderson. The painter later instructed Sally Bedell Smith that it was tough for him to keep away from capturing her “horrible disappointment” throughout their 5 periods. “She was on the verge of a nervous breakdown,” he stated. “I painted what I noticed.” When Harpers & Queen unveiled the portray within the Might 1992 difficulty, author Vicki Woods was happy by the costume and the cabochon amethysts and sapphires, however unimpressed by the likeness. Maybe choosing up on the disappointment, she wrote, “What on earth goes mistaken between [Diana] and the completed canvas?” In hindsight, it’s not laborious to guess that her relationship woes with then-Prince Charles may need been weighing on her throughout the sitting; the pair would announce their separation in December 1991.

In 2001, Edelstein instructed journalist Sarah Bradford that he understood Diana’s private struggles as he dressed her throughout the Nineteen Eighties. “The important foundation of that tragedy was that she was in love with him when she married him,” Edelstein famous. As she pulled away from Charles, she started to specific her autonomy by way of clothes. “She first began to change into glamorous when her marriage started to go mistaken.”

By the point she determined to promote her wardrobe in early 1997, she had taken on a brand new strategy to dressing—incorporating extra European designers and taking many fewer alternatives to put on spectacular ball robes. However she did spend another day enjoying costume up within the previous garments. With photographer Mario Testino and author Cathy Horyn, Diana posed for the 1997 cowl of Self-importance Truthful, the place she revisited a lot of the robes she beloved, together with the purple velvet Edelstein.

“One look at these images tells the story. The seems to be she throws at Mario are so heat and confidential they might be her most revealing statements because the divorce,” Horyn stated, in a narrative titled “Diana Reborn.” “And contemplating that she had by no means posed for Mario earlier than—did not know the guy till she walked by way of the door—Diana will need to have felt terribly free to specific herself as brazenly as she did.”

The public sale in 1997, two months earlier than she died tragically on the age of 36, raised $3.25 million altogether. Within the a long time since, her legend has solely grown. That the costume offered for almost 20 occasions what it went for in 1997 is simply proof that her legacy is outlasting what anybody may need anticipated.

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