John Epperson aka Lypsinka Half 1 on “Identification, Worry and Need”

Musician, playwright and performer John Epperson, (lypsinka.com)(IG:@lypsinka)(TW:@lypsinka) who is best often known as her feminine lip sync alter-ego Lypsinka, was born on April 24, 1955, in Hazlehurst, Mississippi. In 1978, after coaching in classical piano from a younger age and attending Belhaven College (on the time Belhaven School) in Jackson, Epperson moved to New York Metropolis, the place he took a job taking part in piano for the American Ballet. Theater and commenced performing in drag. . Epperson’s character, Lypsinka, is a famend drag performer who lip-syncs to the songs and dialogue of iconic display screen sirens and to extra obscure audio clips (comparable to a recording of a Fifties make-up software). ). Epperson has been praised for the dialogue pastiches she creates, as Lypsinka exhibits convey new which means to the strains she ventrilogues via juxtaposition and gender reversal. One reviewer estimated that hundreds of items of audio are curated collectively for every Lypsinka present, calling them “expressionistic, mind-blowing one-act audio wonders.” By 1991, Epperson was in a position to pursue a profession as a Lypsinka full-time, taking her exhibits across the nation and receiving rave opinions from even severe theater critics. Lypsinka’s mixture of drag humor and performing arts, along with her ability as a comic, has resulted in distinctive exhibits that enchantment to followers of drag comedy and comedy, in addition to theater and performing arts.

Lypsinka’s covers by Joan Crawford, Gloria Swanson, Bette Davis, Elizabeth Taylor, and Lauren Bacall have garnered important acclaim and an adoring fan base. Her performances are advanced and schizophrenic as she hurtles between emotional extremes punctuated by intense lighting modifications and the sound of a ringing cellphone. On exhibits like “As I Lay Lip-Syncing” and “The Ardour of the Crawford,” Epperson creates a brand new narrative from sound clips. A few of these audio items are supposed to be acknowledged by the viewers, and a few should not. A part of Lypsinka’s enchantment is her skill to convey parts of drag and camp humor to her performances with out disrespecting the figures she emulates, typically the display screen queens of Previous Hollywood. Epperson refuses to convey sexist humor to Lypsinka’s exhibits, saying, “It’s totally simple to do misogynistic drag humor,” however he “intentionally tries to[s] to keep away from that.”

Epperson additionally works in theater and movie along with performing as Lypsinka, and has performed male characters on stage and in movie. She has appeared in a number of function movies, together with Black Swan Y Kinsey. He referenced his roots in his replace of Euripides’ Greek tragedy. Medea, which he tailored for a setting in Jackson, Mississippi. In Epperson’s tacky Southern Gothic model, titled my demise, the protagonist who kills her kids to take revenge on her husband. the New York Instances wrote: “Though Lypsinka herself is absent from the stage in my demiseMr. Epperson brings the identical deconstructive and reconstructive abilities he makes use of to showcase that grand dame in his rewrite of Euripides for Mad journal. [H]We have now discovered ingenious Deep South analogs for the mechanisms of destiny that ruthlessly corral our determined heroine.”

Whereas Epperson described rising up in a small Mississippi city as suffocating, saying he “felt like an alien” amongst his household and skilled bullying from his friends, Mississippi tradition and artists have clearly influenced a few of his work, since my demise to the title of “As I Lay Lip-Syncing”. A homosexual bar in Jackson, Mississippi, was the primary place Epperson remembers seeing drag queens carry out lip-sync routines, an expertise that deeply impressed him, although he did not begin performing in drag till he moved to New York years later. .

Lypsinka is now thought-about an ancestor of in the present day’s hottest drag performers. She continues to look and carry out at drag occasions and vogue exhibits thought-about by followers to be a legend who influenced up to date drag efficiency.

Lypsinka’s covers by Joan Crawford, Gloria Swanson, Bette Davis, Elizabeth Taylor, and Lauren Bacall have garnered important acclaim and an adoring fan base. Her performances are advanced and schizophrenic as she hurtles between emotional extremes punctuated by intense lighting modifications and the sound of a ringing cellphone. On exhibits like “As I Lay Lip-Syncing” and “The Ardour of the Crawford,” Epperson creates a brand new narrative from sound clips. A few of these audio items are supposed to be acknowledged by the viewers, and a few should not. A part of Lypsinka’s enchantment is her skill to convey parts of drag and camp humor to her performances with out disrespecting the figures she emulates, typically the display screen queens of Previous Hollywood. Epperson refuses to convey sexist humor to Lypsinka’s exhibits, saying, “It’s totally simple to do misogynistic drag humor,” however he “intentionally tries to[s] to keep away from that.”

Epperson additionally works in theater and movie along with performing as Lypsinka, and has performed male characters on stage and in movie. She has appeared in a number of function movies, together with Black Swan Y Kinsey. He referenced his roots in his replace of the Greek tragedy of Euripedes. Medea, which he tailored for a setting in Jackson, Mississippi. In Epperson’s tacky Southern Gothic model, titled my demise, the protagonist who cooks her kids to get revenge on her husband beats the kids with a recipe for fried hen. the New York Instances wrote: “Though Lypsinka herself is absent from the stage in my demiseMr. Epperson brings the identical deconstructive and reconstructive abilities he makes use of to showcase that grand dame in his rewrite of Euripides for Mad journal. [H]We have now discovered ingenious Deep South analogs for the mechanisms of destiny that ruthlessly corral our determined heroine.”

Whereas Epperson described rising up in a small Mississippi city as suffocating, saying he “felt like an alien” amongst his household and skilled bullying from his friends, Mississippi tradition and artists have clearly influenced a few of his work, since my demise to the title of “As I Lay Lip-Syncing”. A homosexual bar in Jackson, Mississippi, was the primary place Epperson remembers seeing drag queens carry out lip-sync routines, an expertise that deeply impressed him, although he did not begin performing in drag till he moved to New York years later. .

Lypsinka is now thought-about an ancestor of in the present day’s hottest drag performers. She continues to look and carry out at drag occasions and vogue exhibits thought-about by followers to be a legend who influenced up to date drag efficiency.

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