“Fakes, from Annius to Homer… when a real forger has a character of his personal.”

Viterbi – Writer, artwork critic and sweetness marketing consultant Vittorio Sgarbi – The exhibition is on the Valle Faul cultural middle till February 20 – PHOTO

Exhibition of Fakes. Fiction in artwork from Annius to Homer


“A real forger has a character, he isn’t a copyist or an imitator, who can imitate the fashion, not the work.” Victorius Sgarbi, artwork critic and marketing consultant of the well-known municipality of Viterbi. He’s the creator of “Fakes. Fakes in artwork from Annius to Homer”. Cited in Viterbi in Valle Faul Cultural Middle. It began on December 4 and can finish on February 20.


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


The Carramusa staff is organized by Caietani Carramusa. The artwork route is from architect Gianni Cesarini. All this, with the help and patronage of the municipality of Viterbi, the Carivit basis, the Pallavicino basis, Ferrara artwork, del Mar and Ancit.



The exhibition raises an thrilling chapter of forgery in artwork via the masterpieces of Alceo Dossena (1878-1937) of Cremona, a formidable creator of sculptures within the fashion of the Greeks, Etruscans and the best Italian masters of the 14th century and the Renaissance. .


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


The excellent works of Dossena are designed by these of Ioannis Bastianini, essentially the most well-known painter of the nineteenth century, by Icilio Federico Joni and Umberto Giunti, who use imitations of the primary Italian specialities. Close to these works, marbles had been collected within the fifteenth century by the Dominican Annio da Viterbo (1437-1502), the primary instance of an archaeologist-maker who makes use of his creations to emphasise the mythological origins of the town.


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


Lastly, ceramics and brass within the “Etruscan fashion” by Omer Bordo (1943-2018), an artist from Tarquinia, who on the finish of the 20 th century discovered a number of of his unique works exhibited in main archaeological museums.


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


“The exhibition – writes Victorius Sgarbi – presents an enormous repertoire of Dossena’s sculptures alongside different curiosities. The writer ought to drink. Oversea fakes, extraordinary masterpieces. The story is nearly unbelievable and has by no means been utterly restored to today. An exhibition that affirms the prevalence of intelligence and expertise.


Viterbiensis - Valle Faul Cultural Center - Works by Franco-Marie Cordelli

Viterbo – Valle Faul Cultural Middle – Works by Franco-Marie Cordelli


Then two Viterbi, extraordinary, factors of reference of the complete exhibition are exhibited, of which, within the advert hoc room, the careers and work of this era, Franco Maria Cordelli, are additionally exhibited. Physician and artist in parallel. His works, which specific the evolution of portray on the one hand, with work devoted to “cats”, an animal in the home, main the spirit for some, and on the opposite, with Mimes, the historical past, society and essence, the anthropology of Viterbi. .


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


The “writer fakes”. False in artwork. Amongst them certainly two Viterbi. Annius of Viterbi and Homer.

“The 12 months – the author Antonello Ricci explains – tells one other story. Within the fifteenth century, an excellent century of philology, it bears the paradoxical seal of an anthology of falsehoods: Antiquities eius Rome, revealed in 1498. Proof against main scientific proof, sensing the poetry of lies, Annion’s workshop of falsehood reveals itself to our eyes as wonderful. : a pleasant narrative of the equipment of struggle, a polypoetic workshop, the place false epigraphs and literary apocrypha are carefully associated. An open narrative work that consistently repeats, adapts, destroys, and rewrites. He consistently strives to enhance himself, to attain perfection. Go away no traces. Annius put this collectively based on two totally different situations: one theological-philosophical, the opposite historical-local.


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


Then there’s Homer along with his masterpieces. “Within the biography of Homer – writes Ricci – the traits of the clandestine excavator of revenue and the motion of sensational falsity, which will definitely finish in conviction and imprisonment) carry a painful hagiographic topography to the scene. Coming into the world in a poor village close to the Tomb of the Panthers, with the so-called hypogea and cocetti , from an early age he discovered himself working towards commerce.


Viterbiensis - Exhibition of Fakes.  Fiction in art from Annius to Homer

Viterbo – Exhibition of Fakes. Fiction in artwork from Annius to Homer


“Coccetti – lastly concludes Antonello Ricci – due to this fact characterize a private pedagogy of issues. Nonetheless, not like the others, Homer’s story traces the trajectory of fall and redemption. Which leads on to the indefatigable workshop (regardless of the stunning outcomes of the humanities), to the admiration of Sebastian Matta (within the signal of historical fascination, to the chthonic-mode Etruscan dream. As a result of archeology is all the time the pressure of the archetype: it all the time strikes the viscera and the cosmos. The online on the backside of the unconscious group.”


FAKES. THE FAKE IN ART FROM THE YEAR TO HOMER
Viterbi – Valle Faul cultural middle
December 4, 2022 – February 20, 2023

schedule

– Open exhibition Thursday, Friday, Saturday, Sunday and public holidays from 10.30 to 18.30. Monday, Tuesday, Wednesday.

entrance 5 euros. Free entry for underneath 12, weak and on the Viterbo Move MuVi.

Info

Faul Valley Cultural Middle
Through Faul 24,26 – Viterbo
Tel. 0761.348299 – 0761.222966
ufficiostampa@comune.viterbo.it


Gallery: Fakes. Fiction in artwork from Annius to HomerScreenshot 2022-08-25 at 03.41.59

on January 17, 2023

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